The performances of Freud’s Last Session are unfortunately unable to proceed due the restrictions of the current NSW Public Health Orders related to the COVID-19 pandemic. New dates will be announced shortly.
Our Box Office team will be in contact with you in due course to discuss either rescheduling of your tickets or processing of a full refund.
Riverside Theatres Presents
Clock and Spiel Productions
FREUD’S LAST SESSION
By Mark St. Germain
Directed by Hailey McQueen
With performers Nicholas Papdemetriou as Dr. Sigmund Freud and Yannick Lawry as C.S. Lewis
Freud’s Last Session centres on legendary psychoanalyst – Dr. Sigmund Freud – who invites the young, rising Oxford Don – C.S. Lewis – to his home in London. On the day England enters the Second World War, Freud and Lewis clash passionately about love, sex, the existence of God, and the meaning of life, just weeks before Freud was to take his own. Freud’s Last Session is a deeply touching play filled with humour and exploring the minds, hearts and souls of two of the 20th Century’s most brilliant thinkers as they address the greatest questions of all time.
The Saturday 9 October 8pm performance will be Audio Described Please call Box Office on 02 8839 3399 if your require a headset for the Audio Described performance.
A Tactile Tour will be available for the Audio Described performance at 6:30pm – bookings essential – What’s this?
- This performance contains loud noises of an air raid siren which may be triggering to some audience members.
- There is a lockout period and all latecomers will be seated at the first suitable moment in the performance.
- *Please contact Box Office directly for group bookings of 8 or more, email firstname.lastname@example.org or call 02 8839 3399.
- **This show is eligible for the Evening Excursions initiative for school bookings, 1 free teacher per 20 students, or $23 for any additional, click here to find out more.
Patrons will be seated in line with NSW Public Health Order and/or Guidelines in place at the time of the performance occurs.
NSW Health regularly updates areas where there may be concerns regarding potential case transmission of COVID-19. Prior to attending your performance, we suggest patrons check the latest Case Alert Updates from Health NSW and follow the instructions regarding Close Contacts and requirements for self-isolation and/or COVID testing as stipulated by Health NSW and the current NSW Public Health Orders. Please note that patrons who have visited any identified alert area must NOT attend public performances or gatherings of any type. If you have any questions and would like to discuss this with a member of our team, please contact our Box Office staff on 02 8839 3399 or email BoxOffice_Riverside@cityofparramatta.nsw.gov.au
Riverside Theatres is registered with the NSW Government as a COVID Safe venue. Our COVID Safe plan was developed in line with federal and state government health guidelines, and following consultation with Live Performance Australia, other NSW venues, and various government bodies, on enhanced health, hygiene and safety measures. These measures include: defined audience capacity; social distancing; wearing face masks; mandatory Service NSW QR code registration check in; extra cleaning; increased sanitisation of high-touch surfaces; the provision of hand sanitiser, anti-bacterial wipes and hand washing facilities throughout the venue; traffic management plans to alleviate congestion in public spaces.
Please review our Patron Safety Information before you visit us at Riverside.
It is also important that if you are unwell you stay at home. We have updated our ticket conditions and our Box Office team are available to talk through possible exchange and refund options. You can contact the Box Office on 02 8839 3399 or email BoxOffice_Riverside@cityofparramatta.nsw.gov.au
Thank you for keeping our community safe.
Nicholas Papademetrious as SIGMUND FREUD
Since graduating from WAAPA in 1984 Nicholas has worked extensively in film, television and theatre. Film & television work includes The Night We Called it a Day, MI-2, Sparks, Death in Brunswick, Two Nights, Cyclone Tracy, Home and Away, Jessica, Stark, Grass Roots and the lead in Stringer (ABC). His short film Swinger has appeared in festivals worldwide, and won 2nd prize at Open Fields Festival and audience favourite at Chicago Hellenes. In 2018 he won two film awards (Best Supporting Actor) for Dead Not Dying. His main focus has always been theatre having worked (mostly in lead roles) for all the major companies including STC, MTC, LaBoite, Ensemble, Belvoir, Sport for Jove, Black Swan & State Theatre SA. Theatre highlights include working for legendary director Mike Leigh in Greek Tragedy (London, Edinburgh, Sydney); his one man show SNAG (Sydney, New York, Edinburgh, Cyprus) and his own production of Anna in the Tropics (B Sharp Belvoir). His recent work includes: George in Who’s Afraid of Virginia Woolf, Howard in The Mystery of Love and Sex, Mac Davies in The Caretaker and Bevan Banfield in the national tour of Thomas Murray and the Upside Down River. In 2019 he appeared in The Odd Couple at The Ensemble, and The Caretaker at Glen Street Theatre and Riverside Theatres.
Yannick Lawry as C.S. LEWIS
After completing his undergraduate degree in Law, Yannick trained as an actor at ArtsEd, London where he gained his Masters in Acting. Yannick has been living and working in both the UK and Australia as an actor, voiceover and presenter for the past fifteen years. Recent film credits include ‘Nick’ in independent feature, Trust and the award-winning short Love, Dad. TV credits include Australia: The Story Of Us for Channel 7, Deadly Women for CI and recent theatre credits include a national tour as Screwtape in The Screwtape Letters, Metamorphosis, Molly Sweeney, Wit, The God of Carnage, Journey’s End and The Master and Margerita the first ever production to play at London’s iconic Menier Chocolate Factory.
“There is some truly marvellous acting in this detailed and precise production. The styling of this production is wonderful, with an attention to detail that is museum quality, including the famous analytic furniture piece, which is as perfectly recreated as the rest of the physical space.” – Judith Greenaway, Artshub.
“Very few theatrical productions (and films) these days seek to engage us intellectually… it is as important to remember to think and discuss robustly as well as feel, and surely this is a function of theatre. Director Hailey McQueen gives us a play which challenges us to fully engage our minds, not just our senses.” – Kate Stratford, On The Town/ Theatre Now.
“Lawry is deft as Lewis, his respect of Freud’s work is apparent yet he delves into his own belief system vigorously. Papademetriou is at his best here: he plays Freud with meticulous detail from the Austrian accent to the physical tics that abound from the painful mouth cancer that he suffers from.” – Joy Minter, The Buzz from Sydney.